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A partir de l'année 1934-1936, le T 43 est suivi par le T 428.
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The Rhetoric of Error considers the important role of error in eighteenth-century accounts of language, subjectivity, and epistemology in authors such as Locke, Smith, Coleridge, Kant, Goethe, and Kleist.
Error. --- Rhetoric --- Knowledge, Theory of --- Philosophy, Modern. --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- Belief and doubt --- Relativity --- Truth --- Truthfulness and falsehood --- Modern philosophy --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- History --- Error --- Philosophy, Modern
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This is a photographic ethnography book that features the stories and portraits of individuals across the UK who have been impacted by social issues such as austerity, Brexit, deindustrialisation, nationalism and cuts to public services.
Resilience (sociologie) --- Personnes socialement defavorisees --- Conditions sociales --- Classes défavorisées --- Classes déshéritées --- Défavorisés --- Démunis --- Déshérités --- Exclus --- Handicapés sociaux --- Hommes socialement défavorisés --- Inadaptés sociaux --- Milieux défavorisés --- Personnes défavorisées --- Personnes en difficulté --- Personnes précarisées --- Personnes sans ressources --- Précarisés --- Quart monde --- Subalternes (sciences sociales) --- Aide sociale --- Bibliothèques et personnes socialement défavorisées --- Intégration sociale --- Musées et personnes socialement défavorisées --- Pauvres --- Service social auprès des défavorisés --- Enfants socialement défavorisés --- Femmes socialement défavorisées --- Jeunes socialement défavorisés --- Marginaux --- Sans-abri --- Squatters --- Exclusion sociale --- Isolement social --- Résilience (sociologie) --- Résilience sociale --- Great Britain --- Social conditions
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Romanticism is often understood as an age of extremes, yet it also marks the birth of the modern medium in all senses of the word. Engaging with key texts of the romantic period, the book outlines a wide-reaching project to re-imagine the middle as a constitutive principle. Sng argues that Romanticism dislodges such terms as medium, moderation, and mediation from serving as mere self-evident tools that conduct from one pole to another. Instead, they offer a dwelling in and with the middle: an attention to intervals, interstices, and gaps that make these terms central to modern understandings of relation.
Romanticism --- History. --- Friedrich Hölderlin. --- Heinrich von Kleist. --- literary theory. --- media studies. --- mediation. --- medium. --- romanticism.
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This text examines the 'middling' work performed by writers of the Romantic period such as Lessing, Kleist, P.B. Shelley, and Holderlin. It traces their attempts to re-imagine the middle as a constitutive principle, which begin with dislodging terms such as medium, moderation, and mediation from their conventional roles as self-evident, self-effacing tools that conduct from one pole to another or provide a compromise between two extremes.
Romanticism --- Romanticism --- Literature --- Literature --- History. --- Influence. --- Philosophy. --- History and criticism --- Theory, etc.
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